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On the other hand, it does offer excellent close-focus versatility. ![]() ![]() What you won't get from this lens is jaw-dropping sun stars or bokeh. Chromatic aberration is also well-controlled.Īt 70mm, the lens offers impressive close focus distances. ![]() And lens coatings effectively control most instances of ghosting and flares, even when shooting into direct sunlight. And while it is true that lens-based IS is more effective at telephoto lengths than sensor IS, I've found the lens plenty stable with IBIS-equipped Sony cameras even at 180mm.īut most importantly, this Tamron is optically impressive where it most counts: you'll get sharp images at all focal lengths, even wide open. This is in part because there's no in-lens image stabilization, but also because it offers 20mm less reach than competitors. It's also quite lightweight and compact, especially compared to other F2.8 full-frame zooms. Like spending time with an old friend, it's fun, reliable and doesn't impose Like Tamron's 28-75mm F2.8, it's weather-sealed, too: you'll find gaskets around the lens mount, as well as internally. Right off the bat I found the lens snappy to focus and very nicely-built. Moving back and forth within my modest outdoor space, I set out to shoot an entire sample gallery filled with sunsets, flowers and puppy dogs – the kinds of things that make me happy. I quickly 'clicked' with the lens when I got it home. There's no in-lens image stabilization, but the Tamron still feels plenty stable thanks to Sony's sensor-based IS. And I was eager to photographic something, anything! Trapped in my apartment, I'd been getting my fix of feeling connected to the rest of the world by gazing off my balcony at the city around me. Many months of rainy Seattle weather were just finally giving way to long beautiful days of sunshine and perfect temperatures. It was May 2020, several weeks into the initial Covid-19 lockdown, when the recently announced Tamron 70-180mm F2.8 landed in our office and I eagerly collected it (masked up, of course). Up until recently, Sony shooters were in a tough spot when trying to choose a fast aperture zoom Up until recently, Sony shooters were in a tough spot when trying to choose a fast aperture zoom: go with the Sony FE 70-200 F4 ($1400), or smash the bank and grab the FE 70-200mm F2.8 ($2400) – the former is not quite as good as it should be (in my opinion), and the latter is quite pricey. What follows is the nitty gritty of why I chose the Tamron 70-180mm F2.8 (and also why it may be the right lens for you!). Fortunately, lenses like this one make my job much less stressful. Which is why I take seriously any gear buying advice I give. Let's be honest: most photographers out there are budget-minded, including myself. And Tamron seems to be on a roll lately when it comes to conjuring up good glass with the budget-focused photographer in mind.īelvedere was my muse during the early days of Covid. ![]() And this time around I'm choosing Tamron's 70-180mm F2.8 ($1200) for very similar reasons: It's a well-priced, quality lens that answers the needs of customers. Two years ago I chose Tamron's 28-75mm F2.8 lenses for Sony E-mount ($800) as my gear of the year. Tamron seems to be on a roll lately when it comes to conjuring up good glass with the budget-minded photographer in mind I've been writing about photography and camera gear for about ten years and in that time I've had the privilege of shooting with all sorts drool-worthy, piggy bank/ground-breaking cameras and lenses: the kind of gear I dreamed of one day owning as a kid.īut these days, what gets me most excited is not the gear with the highest price tag, most impressive specs or prettiest bokeh, but that which makes photography more accessible to the masses. The sensor responses were analyzed by monitoring the electric resistance changes upon the introduction of H2 or CO analytes. The presented properties of Ag/SnO 2NWs can be used for designing efficient and fast photodegradation systems to remove organic pollutants under solar light without applying any external sources of irradiation. The gas sensing properties of the synthesized SiO2/SnO2 core-shell nanofibers were evaluated under dry and humid conditions and compared to practical SnO2 nanoparticles produced by a hydrothermal method. The efficient photocatalytic process is attributed to two phenomenon surface plasmon resonance effects of AgNWs, which allowed light absorption from the visible range, and charge separations on the Ag core and SnO 2 shell interface of the nanowires which prevents recombination of photogenerated electron-hole pairs. The resulting novel SiSnO2 core-shell heterostructures exhibit remarkable synergy in large, reversible lithium storage, delivering a reversible capacity as high as 1869 mA h g(-1)500 mA g(-1) after 100 charging-discharging cycles. To form Fe3O4SnO2 nanocomposites (FeSn-Ox). The rhodamine B and malachite green degraded after 90 and 40 min, respectively, under irradiation at the wavelength of 450 nm. The synthesis and properties of Fe3O4SnO2 core-shell nanoparticles are reported in the present paper. The degradation was investigated by studying time-dependent UV/Vis absorption of the dye solution, which showed a fast degradation process due to the presence of Ag/SnO 2NWs photocatalyst. Rhodamine B and malachite green were respectively selected as a model organic dye and toxic one that are present in the environment to study the photodegradation process with a novel one-dimensional metal/semiconductor Ag/SnO 2NWs photocatalyst. The resultant SnO2C yolk-shell nanospheres possess a hollow highly crystalline SnO2 core (280-380 nm), tailored carbon shell thickness (15-25 nm) and a large void space size (100-160 nm), a high surface area (205 m 2 g-1), a large pore volume (0. AgNWs after coating with a SnO 2 shell change optical properties and, due to red shift of the absorbance maxima of the longitudinal and transverse surface plasmon resonance (SPR), modes can be excited by the light from the visible light region. The synthesis is easy to operate and allows tailoring the carbon shell thickness and void space size. Shaofeng Zhang1,2, Jinggang Hao1, Feng Ren2, Wei Wu2,3 and. Both nanocomposites exhibit high-surface, porous matrices of SnO2. Controllable synthesis of AuSnO2 coreshell nanohybrids with enhanced photocatalytic activities. 7 0.1 M LiClO4/ 0.1 M Tris buffer aqueous electrolyte at. This study presents core/shell Ag/SnO 2 nanowires (Ag/SnO 2NWs) as a new photocatalyst for the rapid degradation of organic compounds by the light from the visible range. PdSnO2 and SnO2Pd coreshell nanocomposites are prepared via a microemulsion approach. SnO2 core-shell hollow microspheres co-modification with Au and NiO nanoparticles for acetone gas sensing 2020. Figure 4: A) Absorption spectra of annealed core/shell SnO2/TiO2 mesoporous thin films in pH. ![]() Parades: Celebrate A Dream Come True Parade įireworks: Believe. One Man's Dream II: The Magic Lives On!.Kingdom Hearts 3D: Dream Drop Distance.Apparently there are no " stupid little boys" here, unlike the other towns and places the Coachman visited.Like the characters, however, the village was scrapped. The village was once slated to appear in Kingdom Hearts: 358/2 Days along with Pinocchio, Geppetto, Honest John and Gideon.In the live-action film Geppetto, the village is known as Villaggio (Italian word that means "Village").However the mountains in the background, the clothes and the architectonic style of the houses suggest that the Village is located in South Tyrol, in Northern Italy near Austria.According to the location of the original story, the Village is in Tuscany, Central Italy.The Village is then seen when Pinocchio meets Honest John and Stromboli. Disney Toy Story 3, Sheriff Woody Toy Story Art Animation, toy story. ![]() The Village is first seen when Geppetto is in his workshop making Pinocchio and when the Blue Fairy brings Pinocchio to life. Jiminy Cricket The Adventures of Pinocchio Action & Toy Figures Designer toy. When visiting in his traveling caravan, the "master showman", Stromboli, tends to perform his puppet shows here. The Village Square: An often crowded area located in the heart of the village.School: An unseen learning environment for children that Pinocchio attends during the day.It is the Disney version of the inn called "L'Osteria del Gambero Rosso" (or "The Red Crayfish Inn" in English) in the original Italian story, with a slightly different name. It is often visited by the local crooks and con-artists, Honest John and Gideon. The Red Lobster Inn: A seedy establishment (most resembling a pub) located near the docks.Geppetto's Workshop: Home to the kindly woodcarver Geppetto and his family, the most notable of which being the puppet turned human, Pinocchio.In the village, there is a law forbidding citizens from visiting the island's shores. It is located adjacent to Pleasure Island, a notoriously accursed island. Though seemingly ordinary and quaint, a number of fantastical occurrences have taken place here, with anthropomorphic animals, magical creatures, and legendary beasts being among its inhabitants and visitors. This village is a seaside community located in Italy, and is described by Jiminy Cricket as a "sleepy little town". ![]() If you were going to find closed captioning glasses anywhere in the United States, you’d expect to find them in the heart of theater, on Broadway. ![]() They simply need to pick the date and time of a show they’d like to see, book a set of Smart Caption Glasses, and then sit anywhere in the theater without worrying whether the seat will detract from the experience. With closed caption glasses, deaf and hard of hearing patrons enjoy greater flexibility in the performances they’re able to attend. ![]() While Smart Caption Glasses are allowing many patrons to experience the magic of theater for the first time, others who suffered hearing loss later in life are also getting to reclaim a favorite pastime. While Suffolk admits that it’s not yet a perfect 100%, he’s proud of the improvements they’ve made using closed caption glasses at London Theatre. Now that the theater offers Smart Caption Glasses, they’ve increased the number of scheduled performances that are accessible to the deaf and hard of hearing to 80%. Most theaters only offer a handful of accessible plays each season.Īccording to Suffolk, the National Theatre only offered two or three captioned performances per season, only about 5% of their schedule, before they had closed caption glasses. Not only was the actual experience of attending a play severely hindered for the deaf and hard of hearing, but opportunities to attend were limited, too. It’s this type of experience that, O’Dell says, creates “that sense of isolation deaf people, like me, experience.” He wound up missing several jokes, while surrounded by a laughing crowd. He thought he could get by, but he didn’t. One National Theatre patron, Liam O’Dell, described a situation in which he ended up sitting further away from the stage than he wanted for a comedy performance. As a result, many patrons missed out on both nuanced and major aspects of a show. Others were left with no other option than to dart their eyes back and forth between the performance and an open captioning screen located on the side of the stage. Some would only sit in certain sections, close enough to the stage in order to hear the actors or read their lips. Before the development of Smart Caption Glasses in London’s National Theatre, hard of hearing and deaf theater goers had limited options. Hearing loss affects one in six people in the U.K. Closed Caption Glasses Make Theater More Accessible They can set closed captioning to scroll or appear in time with the performance. They’re able to select the placement, text color, background color, and size of the captions they see throughout the play. Patrons use a handheld device to remotely control the glasses. They’re light-weight and easily adjusted to fit any person, even those who wear eyeglasses. In addition, the glasses are designed to be comfortable, easy to use, and customizable. The glasses project text, using high fidelity LED lights, which appear crisp and clear, even in the oddest of lighting conditions. If an actor drops a line, the closed caption glasses won’t deliver it to the patron either. It also recognizes details of the performance such as lighting, timing, and stage cues, to deliver dynamic captions that are accurate and in-sync with the performance. This technology uses the transcripts of a performance paired with intelligent speech following software that’s able to recognize spoken words. Smart Caption Glasses deliver closed captioning to theater patrons by means of AR that displays a synchronized transcript of dialogue, and a description of sounds from the production, directly onto the lenses. The Technology Behind Closed Caption Glasses The National Theatre’s Technical Director, Jonathan Suffolk, partnered with Epson and Accenture to create the Smart Caption Glasses that are now giving all audience members the freedom to enjoy performances the way they’re intended to be experienced. London’s National Theatre has made their performances more accessible to deaf and hard of hearing patrons with closed caption glasses using augmented reality. One of the oldest art forms is embracing some of the newest technology. ![]() Error removal in a graph constructed from an 162 GB data set completed in 13.1 and 3.91 seconds with frequency filter of 2 and 4 respectively on 16 nodes, totaling 512 cores. It is 1.4X and 3.7X faster than its state-of-the-art alternatives in shared and distributed memory environments, respectively. It is capable of constructing, compacting,and generating unitigs for a 694GB human read data set in 7.3 seconds on 7680 Edison cores. The Bruno library is built on Kmerind and implements efficient algorithms for construction, compaction, and error removal. ![]() Kmerind has been shown to out-perform the state-of-the-art k-mer counting tools at 32 to 64 cores on a shared memory system. Using the Cori supercomputer and incorporating architecture aware optimizations as well as MPI-OpenMP hybrid computation and overlapped communication, Kmerind was able to count a 350GB data set in 4.1 seconds using 4096 cores. Kmerind counted k-mers in a 120GB data set in less than 13 seconds on 1024 cores, and indexing the k-mer positions in 17 seconds. Our performance evaluations showed that Kmerind is scalable and high performance. For de Bruijn graphs, we developed Bruno by leveraging Kmerind functionalities to support parallel de Bruijn graph construction, chain compaction, error removal, and graph traversal and element query. We developed Kmerind, a k-mer counting and indexing library based on distributed memory hash table and distributed sorted arrays, that provide efficient insert, find, count, and erase operations. We designed algorithms that minimize communication volume and latency, and developed implementations with better cache utilization and SIMD vectorization. For each library, our goals are to create a set of API that are simple to use, and provide optimized implementations based on efficient parallel algorithms. These libraries are intended for simplifying the development of bioinformatics applications for distributed memory environments. The research presented here represents efforts toward the creation of the first reusable, flexible, and extensible distributed memory parallel libraries for k-mer indexing and de Bruijn graphs. Existing applications that utilize k-mer counting and de Bruijn graphs, however, tend to provide embedded, specialized implementations. The volume and velocity with which sequencing data is generated necessitate efficient algorithms and implementation of k-mer indices and de Bruijn graphs, two central components in bioinformatic applications. Process the data sets at the current generation rate of 1.8 terabases every 3 days. Generation sequencing technologies have dramatically reduced the cost and improved latency and throughput, few bioinformatics tools can efficiently K-mer indices and de Bruijn graphs are important data structures inīioinformatics with multiple applications ranging from foundational tasks such as error correction, alignment, and genome assembly, to knowledge discovery tasks including repeat detection and SNP identification. ![]() Tekoh, suspects who do not receive a Miranda warning cannot sue an officer for damages. But the Supreme Court ruled last month in a civil case, Vega v. Most people recognize those lines as the familiar warning officers give a suspect in custody. Anything you say can and will be used against you in a court of law. We offer free consultations.You have the right to remain silent. ![]() Zaremba at 815 to get the help you need today. Do not speak with police or answer questions until you have a lawyer present. If you or someone you love has been arrested and charged with a crime, contact an experienced Joliet criminal defense attorney right away. If, however, a significant part of the prosecution’s case relies on your confession or statements and you were never Mirandized, the entire case against you could be dismissed. That is, the information gathered during questioning could be thrown out, and you might still be found guilty. Of course, if there is enough physical or circumstantial evidence without your statements, you could still be convicted even if you were never read your rights. If the interrogator does not do so, any information obtained during the questioning is likely to be deemed inadmissible-not only in court but also for the purposes of obtaining warrants and other aspects of the investigation. Whoever conducts the interrogation will need to remind you of your Miranda Rights before any questioning takes place. So what does that mean? It means that if the police wish to arrest you and bring you to the police station for questioning, they can do so without reading you your rights. Instead, the police must provide the Miranda Warnings prior to you being questioned while in police custody. The questions are meant to ensure that there is no ambiguity.Ĭontrary to popular belief, there is no requirement for you to be read your Miranda rights upon arrest. The right to remain silent is a restatement of your Fifth Amendment right regarding self-incrimination while the right to an attorney is an explanation of your Sixth Amendment right to counsel during a criminal prosecution. With these rights in mind, do you wish to speak to me? If you cannot afford an attorney, one will be provided for you.Īn officer will generally conclude the warnings with two questions:ġ.ĝo you understand the rights I have just read to you?Ģ. Anything you say can and will be used against you in a court of law.Ģ. There are two specific rights addressed and explained:ġ. The series of statements and questions that comprise the “Miranda Rights” are often and more accurately known as the “Miranda Warnings.” Most police departments use the same or very similar wording. If you were arrested on the suspicion that you committed a crime but were never read your rights, it is important to understand your available options. ![]() While you do have the right to remain silent-as well as a few other rights-many people assume that they know the law when it comes to their Miranda rights. If you have watched police shows or movies, you probably know that you have the right to remain silent if and when you are ever arrested, right? In fact, the officer who arrests you must remind you of that right-as well as a few others-immediately upon taking you custody. This wine was aged on the lees and in barrel, but the overall impression is one of freshness and vivacity, with a lively limey acidity, and the creamy/nutty notes are subtle and engaging. Hunter Valley Chardonnay 2010, 13.5% (£8.99) – Australia is the source of some of the world’s best Chardonnay and Tyrrell’s is one of the country’s most venerable white wine producers. A small fraction of the wine is matured in oak, but it’s not at all oaky, just smooth-textured and subtly mineral in flavour, with hints of apple rind and a touch of spice on the finish. ![]() Workhorse Ken Forrester Chenin Blanc 2010, 13.5%, (£7.49) – South African Chenin specialist Ken Forrester has used some old-vine fruit in this subtle, elegantly crafted white. 4.5/10Ĭorriente del Bio Sauvignon Blanc 2010, 12.5% (£6.99) – full of tomato leaf and gooseberry flavours, this is a tangy and versatile white from Chile’s southerly Bío Bío Valley. Great stuff as ever from Chile’s star winemaker Alvaro Espinoza working in Chile’s stunning northerly Elqui Valley. PX Elqui 2010, 13% (£5.49) – if you’re looking for a great value alternative to Pinot Grigio, look no further than this gently nutty, herbal number with a juicy, soft-textured flavour profile. Saint Gall Vintage Premier Cru 2004, 12.5% (£29) – classic champagne with elegant yeasty, appley tones and a very elegant, fine flavour profile. Made by top regional producer Segura Viudas, the aromas are agreeably appley and herbal, while the palate profile is frothy and easy-going. Single Estate Chardonnay Cava 2009, 12.5% (£9.99) – a very pleasant Cava at a cracking price, especially when discounted. Crisp, tangy flavours of green apples and clotted cream. Flavours of toffee apple and even a hint of tomato ketchup…. Some of the blend is matured in French oak, adding weight to the wine and enhancing the creamy texture. Ridgeview Marksman Brut Blanc de Blancs 2008, 12% (£22) – a pleasantly succulent, brisk English fizz made by one of the country’s top producers in the South Downs. We’ve put together some of our favourites (tasted by Peter in the spring) as below.Īll prices featured are pre-discount, so subtract 25% to get the offer total. Marks & Spencer, currently one of the country’s best wine retailers in our view, is running its offer from 18 th August to 4 th September. If you’re in the country, it’s well worth stocking up on a few favourite wines, with summer or even autumn drinking in mind. It’s copycat summer offer time in the UK, with several supermarkets discounting their wine ranges by 25% when you buy six or more. The Church of God of Prophecy will be having another Chicken Dinner on Wednesday, Sept. Pine Island News Church of God of Prophecy Chicken Dinner Sept. Breakfast is served at 7:30 a.m., and the meeting starts at 8. The Kiwanis Club meets every Wednesday at Pine Island United Methodist Church at 5701 Pine Island Road, Bokeelia. ![]() Kiwanis offers scholarships, fall festivals, pool parties, a playground, and much more. Proceeds from ticket sales will benefit the youth of Pine Island. Local Kiwanian Cindy Bickford, who coordinated the event, said the Kiwanis raised over $2,500. They bought diapers, eggs, juice and milk - it was all food and every day items that they needed at home,” Loughren said. ![]() You could tell they put some thought into what they were buying. Winn-Dixie Store Manager Dan Loughren, who opened the store early for the event, was simply happy to be a part of the fundraiser. The employees were asked what they needed and Flores studied the Winn-Dixie layout over the weekend, in order to retrieve those items. She was chosen, Pearl said, because she is athletic and fast. It was decided, groceries from the run would be handed over to those Sun Shrimp employees to split.Ĭlarita Flores was the Sun Shrimp team member designated to do the actual run through Winn-Dixie. Pearl bought some tickets, he said, in an effort to support the local Kiwanis Club, and in the interim found out some of his employees were struggling financially. AND they are very easy if you’re looking to make sure your recipe is no-fail.Ĭheck out these 25 fudge recipes I found and start getting your fudge fix any time of year! Let me know your favorites in the comments – or if we’re missing one of your faves. While they might not be considered traditional, they have a fudge-like consistency. Yep, there are a few methods to make fudge that use no heat at all! Definitely easier than the old fashioned way. Typically these recipes use an ingredient to help you get the same consistency and richness as old fashioned fudge. Microwave or Stovetopįor these types of recipes, you’ll use a microwave or the stovetop – but you won’t use a thermometer. The first recipe in the list below uses this method and has a lot of great tips for how to make old fashioned fudge. Then take the mixture out and give it a good stir until the frosting and peanut butter start to combine. It’s super easy as long as you’re prepared with the tools you need. Ingredients 450g (1lb) granulated sugar 85g (3oz) butter 150ml ( pt) milk 175g (6oz) evaporated milk Few drops of vanilla extract A little vegetable oil. So get out the ingredients, and I'll show you how to make frosting and peanut butter fudge Step 1: Microwaving The Ingredients Put the frosting and peanut butter into a microwave-safe bowl and microwave it for 1 minute. ![]() Pour the fudge into the lined baking pan. Let rest, allowing the residual heat in the fudge to melt any remaining chips, then stir until melted. You will need a thermometer for this method and it may take a few tries to get it perfect. As the title states, you only need 2 ingredients. If needed, heat for another 15 seconds at 70 power. The old fashioned way uses butter, sugar, and milk. You will need to decide which way you’d like to make your fudge: Old Fashioned Some are super easy and some are not-so-easy. There are a few ways to make fudge at home. (I configured inside OpalStack on Application Routing Info /default for URI endpoint.) When I tried to get access the message is "404 Not Found" and if I try with /default the issue is "The page you were looking for doesn' t exists" ![]() If I put password I receive other issue "cmi is not in the sudoers file" vendor/bundle/, or you can enter your password and install the bundled gems to RubyGems using sudo. You can cancel this installation and run: On this line: "bundle install -without development test rmagic" SSH says "Your user account isn't allowed to install to the system RubyGems. But in step 2 (Install the old database) I got some issues. In step 6 I restored my backup sql file into OpalStack Maria DB. Hi! I am trying to install my old Redmine but I has some issues. If needed you can edit the cronjob using: ![]() This is helpful for making sure that your redmine app restarts in case it goes down for some reason. Opalstack automatically creates a cronjob to run your start script (above) once every 10mins. Anyhow, I think it's much better to use the above method since it utilizes the tools that OpalStack has designed for Ruby apps. Test the start script cd $RAILS_APP_PATH/īitnami Redmine - I tried Bitnami Redmine but couldn't get the apache rules to work on my VPS. PROJECTDIR='$HOME/apps/redmine/redmine-4.1.1' `PROJECTDIR='$HOME/apps/redmine/redmine-4.1.1' `Ĭhange PROJECTDIR to your use the full path to the redmine install folder #for example PROJECTDIR='/home/myuser/apps/redmine/redmine-4.1.1 # import the old database - for example: mysql -p -u redmine_db redmine_user "Įdit the stop script vi $RAILS_APP_PATH/stopĬhange PROJECTDIR to your use the full path to the redmine install folder #for example PROJECTDIR='/home/myuser/apps/redmine/redmine-4.1.1' CREATE DATABASE IF NOT EXISTS `old_redmine_database` DEFAULT CHARACTER SET latin1 COLLATE latin1_swedish_ci īundle install -without development test rmagick Vi redmine_backup_11032020.sql - Database: `old_redmine_database`
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